Modu Magazine: A Tale of Urban China

“404” City: Journey to the End of the Atom

These photos were taken for a city in China called “404”. 404 is just a code given to the city which has no another name, and it was and still is not marked on the map of China. This 404 city was built in the 1950s in China. During its days, there were about 50,000 people living there, but the size of which was no larger than 1 square kilometers.

404 was the earliest and the largest nuclear technology research base supporting the nuclear bomb projects in China. The establishment of 404 had made irreplaceable historical contributions to raising the international status of China in the world after the first explosions of the atomic and hydrogen bombs in China in 1964 and 1967 respectively.

Although small, 404 had all the governmental departments just like any other cities in China at the time—bureaus of public security, land, public education and intermediate people’s court, etc., all of these were built and run within such a small residential area of about 1 square kilometers.

404 was an isolated place in the Gobi desert. Apart from the stones, only one type of plant called camel grass could survive naturally in the harsh desert environment, and all the trees in this place were grown through artificial cultivation.

When the city was first built, elites from all walks around the country were selected to move to 404. At that time, the city had gathered the country’s best nuclear scientists, technicians, chefs, teachers, doctors and so forth. They came here, built the city 404 with their bare hands from scratch in the Gobi desert, and they never left ever since. After half a century’s working and living there, these people died and they were also buried there in the end.

I am a third generation of 404, and every photograph in this series is related to my own experience and those of the people around me. The scenes include my kindergarten, my primary school which was the same school my parents went, the public bath which we used to go weekly and it was also an important social place for the local people, and the two poplar trees that I planted myself, etc. This was once our home, filled with life.

After half a century, people moved away from 404 at the beginning of 2000s, leaving deserted scenes everywhere. When I came back again with my camera and saw those deserted scenes, it struck me as if I was facing an entirely different world, feeling extremely familiar and yet very strange at the same time.

There are still some cities in China similar to 404. Due to historical reasons, the existence of these cities has been kept in strict confidence for a long time with few written or photographic records. As a sign of a special period of time in China, these cities are now gradually disappearing, but the real lives once existed there cannot be forgotten. Completely different from the calm feelings that these photos bring to the people who have seen them are the feedbacks that they gave, that these photos have caused deep resonance and brought back the remote memories from the people who have the similar working and living experience. These isolated cities were once their hometown, which had brought them such happiness, remembrance and loving memories of an era. The process of the creation, development and disappearance of these cities named only with numbers represented a unique period of time that cannot be replicated in human history.

  • 2019/03/28

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  • 404 City

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  • Li Yang

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The Author

Li Yang

Li Yang was born in “404” city in 1984 and had lived there for 19 years. Li was graduated from China’s Southwest University of Science and Technology majoring in Heating, Ventilation and Air Conditioning (HAVC) and University of Electronic Science and Technology of China majoring in Computer Science in 2007. Between 2007 and 2013, he designed the HAVC system of the nuclear power station in the China Nuclear Power Engineering Co., Ltd. Li turned a freelance photographer in 2013. Li Yang is now based in Beijing, China. His major work "404 NOT FOUND" was presented as part of group shows (Paris, Changsha, Beijing, Nanjing) and solo exhibitions (Paris, Dali). Li's work was awarded at the 1st Juan I-Jong Humanity Award of Photography in 2016 and at the 7th Dali International Photography Exhibition in 2017. Web site: http://www.liyangphoto.com/

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